A short film that captures the highlights of Euro 2016 by doodling between the headlines.
Directed by Wriggles & Robins
Doodles animated by http://ift.tt/12CG3RU
Illustrated by http://philarthur.co.uk
Music by http://ift.tt/2ajeGoG
Special thanks to Sepi and Paige
Director: Alan Masferrer
Production Company: Grayskull
She: Dasha Sovik
Executive Producers: Dani Monedero, Jesus Alamo
Producer: Lara Saborido
Head of Production: Raquel Giimenez
DoP: Marc Miró
Art Director: Ivan Triviño
Make Up Artist: Ruben Marmol
Stylist: Brisa Salietti
Editor: Lluis Murua
CGI: Nico Zarza
Colorist: Xavi Santolaya
Commissioner: Jane Third (Because Music)
Director’s rep: Chloe Page (Lock It In)
Animated short
Concept / Design / Animation:
Helmut Breineder
Michelle Martins
Sound:
Natascha / Peter Thomas
Audiojungle
Enjoy the show, and stay for the party!
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A tribute to one of our favorite places on the westside.
Featuring music from SG Lewis and Gallant – „Holding Back“
Directed by John Merizalde & Pasqual Gutierrez
Cinematography by Kristian Zuñiga
Produced by Dylan Harrington
Gaffer: Alex Allgood
Steadicam: Richard Volsky
1st AC: Daniel Guadalupe
2nd AC: Austin English
Production Coordiantor: Jae Desouza
Best Boy Electric: Evan Williams
Makeup: Stephanie Lennox
Editors: Chad Sarahina and Cami Starkman
Sound: Matthew Dunaway
Colorist: David Torcivia
2nd Unit Interview: Erin Murray
Production Company: Bullion Productions & Whitelist
Executive Producer: Drew O’Neill
Directed by Kevin Eis
www.kevineis.com
Director of Photography – Mike Dominic
www.mikedominic.com
Produced by Eric Goldrich
Starring Thomas Yoon, Mallory Butcher, Jana Krumholtz, Brooks Morrison, and Melissa Choi
Choreography by Kelley Larkin
Filmed on location in Crown Cleaners on Sunset in Los Angeles.
Film by Arice arice.co
Stylist: Marì Paduano// maripaduano.com/
Music: Lerloons
A shipwrecked fisherman is led to a dark secret within this short thriller.
This film was supported by the Frameworks scheme.
A big thank you to IFB, RTE & BAI for their continual support of the Frameworks scheme and their overall support for Animation in Ireland. We’d also like to thank Enterprise Ireland and their CSF fund that allowed us to build the tools & technology that we needed to create this film. Finally, a massive thank you to all the crew who worked on this film and helped us get it over the line.
Winner Best Animated Sequence – Galway Film Fleadh
Winner Best Cinematography – Spark Animation Festival
Winner Best Irish Short Film – Audi Dublin International Film Festival
Official selection – Dingle International Film Festival
Nomination & International Premiere at SXSW
Winner of Best Animation – Irish Film & Television Academy awards
Official selection for Animafest Zagreb
Winner of Best Animation – Fastnet Film Festival
Official selection for Palm Springs
Official selection for Odense International Film Festival
Official selection for Badalona Film Festival
Official selection for Milano Film Festival
Directed by Alex Sherwood, Ben Harper and Sean Mullen.
Produced by Daniel Spencer.
Post Production and Sound Service by Mutiny Post, Dublin.
Voice Actors: Cormac O’Sullivan, Remy Purtill.
Production Executive: Emma Scott
Executive Producer for RTE: Pauline McNamara
Head of Film and International Arts for the Arts Council: Fionnuala Sweeney
Shorts Co-ordinator for the Irish Film Board: Jill McGregor
This film was funded by Bord Scannán na hÉireann/the Irish Film Board, Raidio Teilifís Éireann/RTÉ, the Arts Council/An Chomhairle Ealaíon and the Broadcasting Authority of Ireland/BAI
An unreleased music video for Ludovico Einaudi’s track „ABC“ from his 2015 album „Elements“. Produced in October 2015 over 6 weeks, the video references the work of Gustav Vigeland (1869-1943), the Norwegian sculptor after whom Oslo’s Vigelundsparken is named. Vigeland produced over 200 sculptures for the park in bronze, granite and cast iron. See his work here: http://ift.tt/29L3DHz
See the Making Of here: http://ift.tt/29H2xZr
Thanks to Decca Classics for letting me share this with Vimeo!
ROSE IS THE APPLE OF MY EYE
The magic of skateboarding isn’t going further or faster or even higher. Those are physical feats that the mind automatically gravitates towards, when learning a new skill. Fluidity is skateboarding’s power and allure—the ability to physically interact with your environment in completely new ways and adapt to anything. Every time you step on a skateboard, no matter what your age, race, sex, or even physical capabilities are, you have a unique opportunity to do something that’s never been done before.
If you embrace that side of skateboarding, New York City is one of the most expansive palettes to create on, despite Manhattan being less than 23 square miles. For Aaron Herrington, it wasn’t his home state of Oregon or California—skateboarding’s de facto capital—where he became a professional skateboarder, but it was in the Five Boroughs of New York, where he found himself, while nursing a serious injury. That unspoken power, hidden on every block how NYC became the apple of his eye.
At only 26-years-old, Herrington’s body of work has already proved that you don’t have to be from the East Coast to be an East Coast Skateboarder, just as you don’t have to be born in NYC, to be a New Yorker. And most importantly, in a city that’s constantly changing, there are infinite opportunities to do something new, every time you leave your doorstep.
If you’d seen his Static IV part or his skating in Pontus Alv’s most recent skate film, I like it here inside my mind, please don’t wake me this time., you’ll immediately understand Herrington’s skateboarding. It taps into the spontaneous freedom that’s made Video Days such a beloved moment in skateboarding, as much as it’s a continuation of the street discipline, captured by Dan Wolfe in Eastern Exposure 3: Underachievers. It’s anywhere, anytime, anyhow, and once you embrace that ever-evolving mindset, you can adapt that credo wherever skateboarding takes you. For Herrington, 2015 took him across the world, for the Converse CONS “One Star World Tour,” but it’s the way he taps into New York City’s energy that best displays his power, finesse, and boundless energy. If you’re steeped in East Coast skateboarding, you want to see Ricky Oyola crush the streets of Philadelphia, Bobby Worrest expanding on the history of marble and granite Pulaski in DC, Freddy Gall ripping crusty spots in New Jersey, and Herrington is an extension of that family tree, most firmly rooted in New York.
For some skaters, it takes a while to form who they are. Years are spent building up a foundation, before their personality truly shines through. Limbs need to fully extend, muscles need to rip and reform stronger, and an eye for spots needs to be gained. In many ways, Herrington’s skateboarding is freakishly mature, without attempting to be so. There’s a natural flow to his skating, that, like his personality is never forced. There’s no pretension, just the pure love of riding a skateboard and sharing that commonality with anyone down for the cause. And yes, part of that cause is donuts, because, again, shit just isn’t that serious and it shouldn’t be.
Herrington, along with an entire generation of skateboarders, is part of a shift in the documentation of skating, where every one with a board and a camera can shape what’s seen on their social media accounts. For decades, even the most photographed pros were only depicted in what? 20… 25 photographs a year? That’s a sliver of coverage compared to the real time, always on documentation of today. Part of the soul of “Rose Is the Apple of My Eye,” is stepping back into the essence and preciousness of a filmer and skater, working to create a body of work together—one of purpose and intent, standing as art, not content in the digital world.
This is Aaron Herrington framed through photographer Pep Kim’s eye. Like Herrington, Kim’s not from New York, but something about East Coast skateboarding—the mindset, the lifestyle, the weather, and the purity—infected him six years ago, since leaving his home in Korea. It’s more than photographing a trick, it’s the relationship between the skater, the obstacle, and the one documenting it, which becomes a symbiotic trinity—all parts equal, creating the whole. This is how I want to see skateboarding and this is how i want to see New York, cracks, scars, flaws, and all, because those imperfections equal a perfection that’s best captured and appreciated, rather than explained.
by Anthony Pappalardo
Directed by Pedro Martín-Calero