Loosely based on dreams and made on no sleep. Collab project with Carlos Enciso.
Created for AE PDX’s Design Week 2017 event „DRAEMS“.
Audio RefraQ / Joe Mawson „Witching Hour“
Loosely based on dreams and made on no sleep. Collab project with Carlos Enciso.
Created for AE PDX’s Design Week 2017 event „DRAEMS“.
Audio RefraQ / Joe Mawson „Witching Hour“
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Un air de Murmures est une histoire de bienveillance entre deux grands-mères malades au sein d’un hopital.
A Whisper’s sound is a kindness story between two sicks grandmas in an hospital
A conversation on style and creative stoke with the SoCal artist
A surfer in an Andy Davis painting usually shows just enough face, trimming down the line, or maybe surfed-out and swinging in a hammock, brim of the hat tipped low, to show…who? You. Me.
The featureless subjects in Davis’ works are any one of us, a connection drawn from one of Davis’ inspirations, John Severson, whose opening line in the first issue of The Surfer, like an unmarked face, was both a faraway and personal call: “In this crowded world, the surfer can still seek and find the perfect day, the perfect wave, and be alone with the surf and his thoughts.”
“My biggest influence in the surfing world with [my art] was John Severson,” says Davis. “Making films, and then starting [SURFER] magazine, shooting the photos, writing the articles, doing the illustrations — It was so insane. That’s where it all came about for me, along with watching a lot of old films, looking at a lot of photography.”
Davis just began a month-long exhibition, Eye Yi Yi, in Malibu’s Trancas Country Market, through July 1st. For those who know his work, the show is an artistic departure. There are no waves, no boards involved. For Davis, these subjects still derive their spirit from surfing, set in acrylic scenes that flit with movement, energy, and flow.
If you surf, he says, you can see it. Even if you don’t surf, you’re pulled toward the grace of the image, a subject’s dance in a summer sun’s light. “Andy’s art exemplifies surf stoke more clearly than anyone else’s,” artist Thomas Campbell says about Davis. “I think that’s why people identify with his work. Looking at a lineup from the top of a hill or observing some faceless humanoid simply getting tubed from a cool, non-invasive perspective. That’s what surfing is about, not all banners and bullshit.”
We spent an afternoon with Davis in Malibu, where he and artist Randall Christopher were busy with the final preparations for the show’s opening reception in late May. He spoke candidly about his evolution as an artist, his creative process, and his response to the emotion produced through his work.
“It’s pretty neat to feel like you made something that meant something to someone,” says Davis. “That they’re happy you made it, and that it took them out of their day to day, and they appreciate it. That it touched them in some way. It reminds them of something. It makes you feel pretty lucky that you got to do something that went beyond what you thought it was going to be.”
Direction: Todd Prodanovich
Film and Edit: Alex Kilauano
Motion Graphics: Randall Christopher
Archival Footage: John Severson
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Music video directed by The Blaze
Produced by Iconoclast
Production service by Deux Horloges
Director of photography : Benoit Soler
Producer : Roman Pichon Herrera
Actor : Dali Benssalah
Stylist : Juliette Alleaume
A huge thanks to Yacine & Hugo, the ‚2 Horloges‘ from Algiers
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Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon. This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.
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The FCC is planning to repeal the strong net neutrality rules that we fought so hard to get in 2015. Why do we care? Vimeo is the home to so many makers, watchers, and all-around internet video lovers. Net neutrality makes sure there is room for creativity and equal access for any internet user. File comments with the FCC and spread the word to keep our internet free, open, and wondrously creative. #netneutrality
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New York is a cold-hearted bitch. She’s the prettiest girl you’ve ever laid eyes on that you know could break your heart at any moment. There’s a price to pay and it’s not just on the price tag. You wake up at war with the world and then the buzz of the battlefield rings around the clock. To skate through New York is one of the most exhilarating but exhausting experiences. Before you know it you’re too tired from skating to the spot to actually skate the spot. People are in your way everywhere and they all need something from you. The biggest police force in the country is out for you too. You gotta hustle just to exist in New York and excelling relies on the stars aligning. The most dramatic weather has trampled the urban jungle and it’s riddled with cracks, potholes, glass, rubbish and weather-beaten asphalt. The character of the city is undeniable but you gotta have just as much heart as The Big Apple itself to keep your head up. “There are so many cities out there with similar energy, but skating in NYC is amazing because of the people, the food, the energy, and the spots of course. It’s not always the easiest place to go skate and be productive, but just being on your skateboard, you get to see the city in a way normal people would not.”
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Fueled by coke, a desperate couple attempts to capitalize on an unlikely opportunity.
„Mouse“ is this week’s Staff Pick Premiere. Read more about it here: http://ift.tt/2si7c1n
by ELO films
elofilms.com
Written & Directed by: Celine Held & Logan George
Director of Photography: Lowell A. Meyer
Production Designer: James Bartol
Starring: Vanessa Wasche & Logan George
Assistant Director: Jack Kyser
Assistant Camera: Ian Wexler
Sound Production Mixer: Alessandro Altman
Gaffer: Gene Malkin
Production Assistants: Vu Kong & Jovan James
Editor: Logan George
Supervising Sound Editors: Joanna Fang & Dennis Hu
Dialogue Editor: Philip Kim
Composer: David Baloche
Music:
Little People – „Inutile et Indispensable“
Rick Alvin – „Temple Pressure”
Special Thanks:
Marina Romashko
Lucky
Erica Rose
Charlotte Arnoux
Available Light NY
Craig & Belinda Held
Christopher George & Elizabeth Webb
Petco
No mice were harmed in the making of this film.
A humorous take on the dangers of over-working. Made for Hellavision Television Animation Show.
A film by Foreign Fauna