Schlagwort: video

He Could’ve Gone Pro
Written and Directed by McGhee Monteith

Debbie returns home for an obligatory Christmas dinner with her steel magnolia mother, but simmering resentment explodes to expose a long-held family secret, leaving the holiday – and the family – shattered.

Cast:
Cecelia Wingate
McGhee Monteith
Stephen Garrett

Director of Photography: Ryan Earl Parker
Composer: Jamison Hollister
Production Designer: Chandler Heinz
Sound Mixer: Brandon Robertson
Editor: Raymond Chu
1st Asst Camera: Stephen Hildreth
Gaffer: Andy Allmendinger
Colorist: Ryan Earl Parker
Sound Mix: Daniel Lynn

Awards:
Memphis Film Prize – Overall Grand Prize Winner
Louisiana Film Prize – Founder’s Circle Award
Film Out San Diego – Outstanding Emerging Talent Award (Monteith)
Outflix Film Festival – Jury Award
Outflix Film Festival – Audience Favorite Award
El Dorado Film Festival – Best Screenplay Award

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WELL GROOMED travels the visually stunning, humorous world of competitive creative dog grooming alongside the colorful women transforming their beloved poodles into living sculptures. Currently developing into a feature film, this short follows Adriane Pope and Angela Kumpe at the biggest grooming competition — GroomExpo competition in Hershey, PA.

„Well Groomed“ is this week’s Staff Pick Premiere! Read more about it here: http://ift.tt/2zWVfOk

Find out about the feature film currently in post-production and say hello at wellgroomedfilm.com/

Supported by: Barkleigh Productions, Awesome Without Borders, Volunteer Lawyers for the Art
Directed by: REBECCA STERN
Produced by: DANA KALMEY
Co-Produced by: LINDSAY LINDENBAUM
Cinematography by: SAMANTHA PANGER
Editing by; LINDSAY LINDENBAUM
Composed by: CHAD KELLY
Sound Rerecording by: BRIAN GOODHEART
Color by: MALIKA FRANKIN
Production Assistants: ANDRES ARIAS, REEF OLSDBERG
Special Thanks: THE POPE FAMILY, THE KUMPE FAMILY, GINA MANDRACCHIA, ALEX PEARSON, JIMY SHAH

‚It’s an observation of a moment in time and what happens to our mind when we let go and start drifting away. Something ordinary suddenly becomes the impulse for our imagination and we find ourselves wondering where reality ends and imagination starts. Only to wake up realising that it was only relativity playing with us.‘

TALENT ASTIN SANDERS @LINDENSTAUB
DIRECTOR BUILDERS CLUB (JONAS HEGI & JULIEN SIMSHAUSER)
PRODUCTION: BUILDERS CLUB
PRODUCER: JONAS HEGI
PROD COORD. ESTER VIANA
ART DIRECTION VIVIANA FAGNANI
DOP TOM ELLIOTT
AC MARIT DE BRUIJNE
PHANTOM OP JOE WERRY
STYLING COLINE BACH
HAIR & MAKEUP LUCINDA WORTH

Thanks to MovieTech and Pete Moore for the generous support.

C’est la nuit et un garçon n’arrive pas à dormir.

Rallye d’animation à l’EMCA. Cinq jours et deux minutes de court-métrage à faire.
Pour attaque cette proposition j’ai improvise le jour précédant le rallye une chanson au piano que j’ai enregistre avec mon téléphone. Cette petite chanson m’est donne l’idée d’une histoire que j’ai improvise plan après plan pendant le rallye.

Using over 100 years of archival footage, director Sierra Pettengill explores the history of the largest Confederate monument, Georgia’s Stone Mountain.

Directed by Sierra Pettengill

See more from Field of Vision here: http://ift.tt/1okl7wT

„Transient“
[tran-shuh nt, -zhuh nt, -zee-uh nt]
Adjective. not lasting, enduring, or permanent; lasting only a short time; existing briefly.
Philosophy. person or thing that is transient, especially a temporary guest, boarder, laborer, or the like.
Electricity. a sudden pulse of voltage or current.

All footage available to license at 4K resolution. Contact: dustin@dfvc.com

„Transient“ is a compilation of the best shots from my storm chasing adventures of summer 2017. Most of the lightning footage was captured in uncompressed raw at 1000 frames per second with our Phantom Flex4K. This summer I chased for over 30 days and traveled 20K miles. My respect and admiration for storm chasers became even stronger this year. This is one of the most difficult projects I have ever attempted in my career. On several occasions I found myself uncomfortable either mentally or physically. Chasing storms with a Phantom Flex4K is stressful even when things are going well. There were at least 10 days where I returned home with my tail between my legs and nothing to show after a ten hour chase and 500 miles. There were also a couple of days that I drove home with an ear to ear smile that lasted for hours. Most of the lightning was captured in my home state of Arizona. I also spent a week in the Great Plains chasing with Chad Cowan. It was during this time that I captured a time-lapse of the massive super-cell shown twice in Transient. For some reason that damn super-cell refused to spit out a proper bolt.

Lightning is like a snowflake. Every bolt is different. I learned that lightning varies greatly in speed. There are some incredible looking bolts that I captured that didn’t make the cut because even at 1000fps they only lasted for one frame during playback. I also captured some lightning that appear computer generated it lasted so long on the screen.

Technical info: The Phantom Flex4K is a camera that must be post triggered while shooting high speed. This works out well for capturing lightning because the camera is always recording and rewriting to internal ram. As soon as a bolt appears in my view finder I trigger the camera to save what has been stored in the ram. Shooting at high frame rates requires a lot of light. Therefore, I mostly used my Zeiss Otus 28, 55, and 85mm lenses wide open at f1.4. In all, I captured 10TB of data during this production.

Special thanks to Chad Cowan for many of the time-lapse shots in the video and to Mike Olbinski for the storm chasing advice and guidance.

Music licensed from Audiomachine

After a year of touring the world in the International Fly Fishing Film Festival – IF4 we are happy to share with you the full film.

Laplanders traces the portrait of those who live by the rivers of Lapland in Northern Sweden. Their quest for the Baltic Salmon is one every fisherman can relate to: an ever-going search for the next fish, and the only certitude is the efforts that will be needed to reach it. This film is an immersion into the life of those who chase, document and protect the salmon in the land of the midnight sun.
…
Après avoir fait le tour du monde dans la tournée IF4 voici notre film réalisé en Suède l’an dernier : LAPLANDERS

Laplanders trace le portrait de ceux qui vivent en harmonie avec les rivières dans le nord de la Suède où l’on y retrouve le Saumon Baltique. Voici leur conquête infinie pour essayer de le capturer.

This is the first iteration of ｎａｔｕｒｅ　ｍｏｒｔｅ. This on-going project is about embedded worlds and how we perceive our surroundings. This test blends five different worlds: a video documentation of a sculpture, a virtual surrealist world, a graphical user interface and worlds that explore transitional states between these realities.

My goal is to create physical access points to my virtual environments in order to explore our relationship with technology that allows bridges between worlds. In ｎａｔｕｒｅ　ｍｏｒｔｅ, I am working with immobile subjects in somewhat static environments. Dynamism is created through the constant renewal of our point of view in these worlds.

sound by idmx and baron lanteigne

The Happiest Barrack is an experimental documentary, a chronicle of my maternal grandmother’s life in Communist Hungary. It serves as a memento of times past and as a reminder of how socialism colonized the soul’s of a generation.

‚BACKSTORY‘
written and directed by Joschka Laukeninks

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written and directed by JOSCHKA LAUKENINKS
produced by BENJAMIN HORSTKOTTE
produced by TOBIAS WICHURA
cinematography by EIKE RIECHE
edited by VERA BERG
starring JAN STAPELFELDT, JESSICA MCINTYRE, XENIA ASSENZA
narrated by PHILIPP MOOG
music GERMAN WAHNSINN
production company THE MARMALADE FILMS

‚BACKSTORY‘ was shot in Germany in 17 shooting days over a period of 1,5 years. It has been screened at more than 110 festivals worldwide and, so far, has won more than 30 international awards. Our love goes out to all the wonderful people who worked so hard on this film for such a long time!

see the full crew list and more info at http://ift.tt/2ATshU2

here is some of the 33 AWARDS we have won
* BEST SUPER SHORT* at NEW YORK CITY INDEPENDENT FILM FESTIVAL New York City, US
*BEST SHORT* at ORLANDO FILM FESTIVAL, Orlando, US
*BEST FOREIGN SHORT* at TWISTER ALLEY FILM FESTIVAL Woodward, US
*BEST FILM* COLCHESTER FILM FESTIVAL, Colchester, UK
*BEST OF FESTIVAL* at FASTNET FILM FESTIVAL Schull, Cork, Ireland
*ROGER DEAKINS AWARD* at PLYMOUTH FILM FESTIVAL Plymouth, UK
*JURY AWARD* at HAMILTON FILM FESTIVAL, Hamilton, US
*BEST DIRECTOR* at FARM FILM FESTIVAL, Sicily, Italy
*BEST FOREIGN SHORT* at ANOTHER INDEPENDENT FILM FESTIVAL, Wisconsin, USA
*BEST IN SHOW* at CREATION INTERNATIONAL FILM FESTIVAL Ottawa, Canada
*AUDIENCE AWARD* at OPORTO INTERNATIONAL SHORT FILM FESTIVAL Porto, Portugal
*BEST STORY* at REVOLUTION ME FESTIVAL, New York City, US
(…)

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