Annie reveals a dark secret after a glass of wine.
Writer/ Director: Sam Benenati
Producer: Sam Benenati, Nima Shoghi, Jaime Gallagher
Director of Photography: Mike Reyes
Cast
Jenny O’Hara
Aaron Takahashi
Joan Wong
Music
Sean Walsh
Annie reveals a dark secret after a glass of wine.
Writer/ Director: Sam Benenati
Producer: Sam Benenati, Nima Shoghi, Jaime Gallagher
Director of Photography: Mike Reyes
Cast
Jenny O’Hara
Aaron Takahashi
Joan Wong
Music
Sean Walsh
In a life of freeskier, you win, you lose, you doubt and you have to accept all the circumstances to do your best. This is what JEREMY PREVOST made during all his career to become what he is today.
Enjoy the last video project of MAZCOR MEDIA directed by Julien Mazard.
Supported by Black Diamond and Cébé.
Additional footage
MOtion HD
Fabien Maierhofer
Ludovic Chauchaix
Freeride World tour
Music
Arcade and Fire
Mammal Hands – Kandaiki
Contemporary notions of underwear have been largely formed by the male gaze. Sexualised advertising imagery of women in heighted poses and impossible designs are worlds apart from the daily reality of dressing in undergarments.
The film explores the unseen relationship five women have with their bodies and their undergarments. Featuring Michele Lamy (Creative Collaborator, business partner and Muse at Rick Owens), Sharmadean Reid MBE (Founder of Wah Nails), Naomi Shimada (Model and Body Activist), Charlie Craggs (Trans Activist and Founder of Nail Transphobia) and Ruqsana Begum (British Thai Boxing Champion & Designer of Sports Hijabs for Women). Choreography by Wayne McGregor MBE.
Reviews
i-D http://ift.tt/2m2uN28
Refinery29 http://ift.tt/2mCVSFX
Shots http://ift.tt/2m2Pk6E
Nylon http://ift.tt/1WcS2RE
Bustle http://ift.tt/2m2D1ri
Jezebel http://ift.tt/1XHLklf
Huffington Post http://ift.tt/2m2NmDA
DIRECTOR: KATHRYN FERGUSON
CHOREOGRAPHY: WAYNE MCGREGOR
PRODUCER: SHABANA MANSURI
WRITER: PHOEBE FRANGOUL
CREATIVE DIRECTION ASSISTANT : KIRSTEN WILSON
1ST AD: CORDELIA HARDY
RUNNERS: KATERINA ZAHARIEVA, QUENTIN HUBERT
FEATURED EXTRA: CHANELLE SADIE PAUL
ART DIRECTOR: CLEMENTINE KEITH-ROACH
ART ASSISTANTS: MARY CLOHISEY, WENDY KEITH-ROACH, CAROLINE BYRNE
STYLIST: NICKY YATES AT ONE REPRESENTS
STYLIST ASSISTANT: PAPILLION SHEARD
SELFRIDGES STYLIST: JOE MILLS
MAKE UP ARTIST: DANIEL SALLSTROM
MUA ASSISTANT: THUY LE
HAIR STYLIST: KARIN BIGLER AT JED ROOT
HAIR ASSISTANT: HANNAH JOY BULL
NAILS: TINU BELLO AT ONE REPRESENTS
DOP: SARA DEANE
FOCUS PULLER: ALICE HOBDEN
2ND AC: KAT SPENCER
DIT: ASHLEY HICKS
STEADICAM: MAX RIJAVEC
SOUND RECORDIST: NINA RICE
GAFFER: SIMON MILLS
SPARK: MATT MOFFAT
SPARK: STEVEN CORTIE
TRAINEE SPARK: CHRIS BROOMFIELD
EDITOR: CARLY BAKER
COLOURIST: DAN MORAN AT COFFEE&TV
MUSIC AND SOUND DESIGN: PETER DUFFY AT CLM
STORYBOARD ARTIST: DUNCAN MCGONIGLE
GRAPHICS: LILY DUNLOP
SPECIAL THANKS: ANNA CLEAVER, SARAH MCCULLOUGH, BECKI DYER, HAYLEY DONOVAN, GEORGE WALKER, LORRAINE SMITH, KAYLEIGH DYKE, THE TOWNHALL HOTEL, MARTINA PACIARELLA, OLIVIA MCEWAN and KINGSWAY MUSIC.
The film takes place in a doctor’s waiting room where soothing music and the opportunity to enjoy an ice cream brings about an alleviating atmosphere. What could possibly go wrong in a healthcare institution where help is nearby? The cold and ugly sides of human nature reveal themselves as the narrative touches on the cycle of birth and death and the absurdity of life. Let’s hope the doctor can help!
Want to know more about The Animation Workshop/VIA University College?
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CREAM was made by a team of 3rd year Character Animation & CG Art students at The Animation Workshop/VIA University College in Viborg, Denmark. Check out the individual students blogs (links below) to learn more about the talent behind the film!
CREDITS
Lena Ólafsdóttir
Director – http://ift.tt/2kZkp6Z
Stina Willadsen
Lead animator – http://ift.tt/2lLgdMm
Kristian Olesen
Set Builder – http://ift.tt/1NqwMWI
Jonas Scott Di Hu
Animator – http://www.klodsen.dk/
Marie Eriksen
Animator – http://ift.tt/2lLhi74
Compositor:
Asger Kjærholm
Costumes:
Mary-Ann Hansen
Voice acting:
Erik C. Schmidt
Anne Prip
1976 meditates on presentiment and sound. The surreal short crafts an unsettling atmosphere of foreshadowing and immanent change. A clever combination of live footage and CGI, the film allows its soundtrack to drive the visuals. Everyday objects reverberate, twist and react to an oncoming pulse of events as they converge on a farmhouse lost in rural America.
A film by Aggressive, The Loop & Echoic.
Credits:
Production Co: Aggressive
Postproduction: Loop
Directors: Alex Topaller, Dan Shapiro, Alex Mikhaylov
Art Director: Alex Mikhaylov
CG Supervisor: Max Chelyadnikov
Editor: Adam Thomson
Music & Sound Design: David Johnston, Tom Gilbert | Echoic
DP: Eli Born
Producer: Kelvin Craver
Production Designer: Geoff Flint
CG Artists: Max Chelyadnikov, Dmitry Paukov, Alex Frukta,
Vladimir Tomin, Daniel Rybkin, Valdemaras Dzengo, Danil Krivoruchko, Roman
Senko, Vladislav Solovjov
Production Manager: Dustin Pownall
Color Grade: Marshall Plante
photographed by matt and paul
format: 16mm
stocks: 7229, 7219, 7219 (+2), 7207 (+2)
Chris Heck fought his way up over the most dangerous, lifethreatening tricks, with numerous sore finger injuryies, and nerval breakdowns to where he is today.
Since winning the German championship in 2003, he worked everyday on his inventive tricks while phoning with his wife wife Anna, on his wooden kitchen table.
Through this hard training his fingers became harder than any industry steal you can buy.
His Pro Model, with a a red Skwirral, (which is his favorite animal, right after turtles and foxes) crowns his legendary 21 years of Finger Skateboarding.
Ladies and gentlemen.
Fingers of Steel
A film by Sebastian Linda
Filming, Editing, Sounddesign, Grading, Blood nerve staying calm
FB: on.fb.me/1xVxHAX
– sebastian-linda.de
Chris Heck
http://ift.tt/2jFXEWh
Sound mix by
Bony Stoev
www.bony-stoev.de/
Special Thank to Nils Heck for filming Making of Shots!
In 1562, Flemish artist Pieter Bruegel the Elder completed a painting called „The Triumph Of Death“. In this panoramic landscape the sky is blotted out by black smoke; ships and dead fish litter the ocean shore; and an army of skeletons experiment with myriad death techniques. The living are badly outnumbered and the variety of fated tortures seems endless. There is little room for whimsy in this tableaux.
Over 200 years earlier, a nasty plague, commonly known as „The Black Death“, left a cruel and massive mark on European civilization, wiping out half of Europe’s total population. This was a quiet pervasion of death – an invisible pathogen carried by herds of tired rats. This plague triggered a series of social and economic upheavals with profound effects on the history of medieval Europe, guiding its survivors into the sort of self-inflicted darkness pictured by the Elder Bruegel.
Looking back at this historical trajectory, Peter Burr, Mark Fingerhut, and Forma have created a spiraling interdimensional narrative aptly titled DESCENT – a meditation on one of humanity’s blackest hours. Taking the form of a desktop application, descent.exe gives the user a brief glimpse of a world descending into darkness – an unrelenting plague indifferent to the struggles of the user. There is a silver lining, however, tucked into the software’s final sweep. An equanimous watcher, reduced to a single eye, looks on as the plague of rats that has infested your desktop destroys itself.
This video is a recording of descent.exe running alongside Fingerhut’s deepdesktop.exe.
Download descent.exe here: (pc only)
http://ift.tt/2mttHJo
Can privacy really still exist in a world where we are continuously connected to the internet?
I directed these animated sequences for co-director Callum Cooper’s D&AD Yellow Pencil winning documentary series „The Power of Privacy“ for The Guardian. The series explores the potential as well as the limits of privacy today. The animations establish the historical context and key themes for each episode of the series.
For Ted-Ed
http://ift.tt/2mfPS9M
In 1995, scientists pointed the Hubble Telescope at an area of the sky near the Big Dipper. The location was apparently empty, and the whole endeavour was risky – what, if anything, was going to show up? But what came back was nothing short of spectacular: an image of over 1,500 galaxies glimmering in a tiny sliver of the universe. Alex Hofeldt helps us understand the scale of this image.
CREDITS
Educator Alex Hofeldt
Director Yukai Du
Production Company Bliink.tv
Producer Tim Coates
Script Editor Mia Nacamulli
Animator Yukai Du, Tom Matuszewski
Composer Tim Arndt (Near The Parenthesis)