„Electric Charm“ from Carry Illinois‘ „Electric Charm/Sea Inside“ 7-inch Vinyl released November 2016.
Credits:
Designer and Animator: Yukai Du (http://ift.tt/1grR6ry)
Producer: Bliink (http://ift.tt/2l0uNMh)
http://ift.tt/2oWSOq1
http://www.yukaidu.com/
Music/Lyrics © Lizzy Lehman Music (SESAC)
A journey into the obscure reaches of the North with Dane Gudauskas, Tanner Gudauskas, Heidar Logi, Elli Thor, and filmmaker Ben Weiland.
Video for Dowager by Anna Meredith, from the Varmints album.
Directed and Animated by Ewan Jones Morris
Special Thanks to Nev Pecotic and Ben Reed.
From the new album ‚Emergence‘ out now: http://ift.tt/2eb3XTR
Discover more about Emergence: http://ift.tt/2gEHavh
Max Cooper
“This chapter comes towards the end of the Emergence story, after all of the physical world around us has been established by following through the action of the simple building blocks of nature. I wanted to finish the LP with the progression left open-ended, the laws of nature being unbounded and any particular consequences impermanent and ever changing.
The best way to present this seemed to be with an infinite fractal zoom, where we experience delving into a system that seems to have no end. But the problem was that I really don’t like most fractal zoom videos, as it’s a technique that has been much overused, and often relies on the same methods of synthesis which have a particular recognisable aesthetic.
Luckily for me someone got in touch to suggest Morgan Beringer’s work to me, which I loved, so we started chatting about video ideas, and it seemed that Morgan might be able to pull off a new way of the presenting the unbounded zoom! Safely to say, he did an amazing job with this, with his warping saturating abstraction and hints of traditional fractals.”
Morgan Beringer
“The main structure of the video ‚revolves‘ around an infinite spiral/zoom effect that is realized using an animated form of the Droste effect, combined with my trademark style of abstract visuals that continuously move in somewhat unpredictable manners. It is the first time I have combined both and a lot of experimenting and trial and error was employed before I found a combination that worked best.
When combined, the overall theme of an unbounded form was expressed via both the chaotic structure of the form and the infinite motion of the spiral. I found this also reflects the contradictions that quickly appear when considering absolutes, infinities, and any such theoretical extremities that are not empirically experienced. The contradiction being that we must always ‚assume‘ that unbounded structures are indeed unbounded, and while we might explore short journeys down these roads, the end of the spiral is never reached and the moving forms never solidify. The fact that the form of the spiral remains constant during the video (though the angles change and the colors change, etc.) helps to reflect that we rely upon bounded structures to represent unbounded structures.
Beyond that overall theme I also added further details to echo these ideas, such as the grid appearing at various times to remind us that despite the appearance of an infinite/chaotic motion there is in fact a very defined structure that we get small glimpses of every now and then. The addition of several lighting effects also nods back to the main concept in that they try to remind the viewer that this is a flat video. Just light on a surface, synthetic light even, despite it’s attempt to convey an unbounded infinite.
So the final result hopefully giving us little glimpses of what an infinite or unbounded concept/structure might entail, flights of thought or fantasies almost, but also reminding us that these concepts are never fully understandable or attainable in physical reality beyond these short moments.
My favorite moment within the song is when, for a few short moments, the rhythm extends beyond its established structure and we are left ‚floating‘ somewhat before it comes back to ground us. Again, demonstrating that we need the established structure before we can break it, and that even when it is broken or expanded upon, we only get a few brief moments before adapting to the change/new structure.”
Follow Max Cooper
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Follow Morgan Beringer
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NATE GREENWOOD
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Filmed & Edited by Ryan Neddeau
Additional Filming – Tommy Paz
Art Director – Alexandre Souêtre
Song – Salanfe by Tallisker
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https://www.sovrn.la/
Produced by: Adisar Media. Starring: Silvia Vacas / Dop: Dani Meré / Art Director: Raul Lopez Serrano / VFX: Fake Studio / Make-Up Artists: Elizabeth Wic & Estefania Montero Navacerrada / Label: Everlasting Records / Production Manager: Hugon Catalán Fernández / 1stAC: Pablo Pascual / 2nd AC: Andy Pulido Thanks: Palmira, Paula Hassel, Luciano Firmo, Miguel Roldan, Jose Luis Lara Romero and Adisar Media.
You’ve probably heard the statistic that nearly half of all films produced before 1950 are entirely lost, and that’s only one of the many reasons that proper restoration and preservation is so important. Let’s dive in and take a look at three different films all in different stages of the restoration process, plus take a look at how film restoration as a whole has evolved and continues to evolve in an increasingly digital world.
For educational purposes only.
Sources-
Arri- Archive Technologies (2013) – http://bit.ly/2mTYlvA
David Lean: A Tickling of Talents (1989) – http://bit.ly/2m3D9pB
Harmy’s Star Wars- Despecialized Edition (2013) – http://bit.ly/2mAKYnZ
The Red Shoes- Restoration Demo (2012) – http://bit.ly/2m3jFkP
The Restoration of ‚The Wizard of Oz‘ (2009) – http://bit.ly/2m3o1aa
Special thanks to Paul Vanezis for the use of Restoring ‚Doctor Who‘ (2014) – https://www.youtube.com/watch?v=nsMgNCwYcXw
Further Reading-
For more information on The Film Foundation, please visit- http://ift.tt/19iLGVt
A.V. Club interview with Robert A. Harris- http://bit.ly/2m3rHKJ
On the restoration of The Red Shoes- http://bit.ly/2mTXpYc
The Race to Save the Films We Love by Manohla Dargis- http://nyti.ms/2m3kzOf
You can follow me through:
Twitter- http://twitter.com/andymsaladino
YouTube- http://youtube.com/c/theroyaloceanfilmsociety
Official Website- theroyaloceanfilmsociety.com/
Music by Chillhop: http://youtube.com/chillhopdotcom
The Deli- Breeze: http://ift.tt/1pVGkwz
emune- fallback: http://ift.tt/1NRerN7
Listen on Spotify: http://bit.ly/ChillhopSpotify
Late Nights by LOWERCASE n http://ift.tt/2coCRXK
Creative Commons — Attribution 3.0 Unported— CC BY 3.0
http://ift.tt/15faYU2…
A collection of animated advices for young artists given by different artists and writers from around the world.
This animated short was my graduation project for Bezalel Academy of Arts and Design (2016)
Special thanks:
Louisiana Channel- for the interviews audios
The Caretaker- sound
Elad Ben Aroche- sound editing
Video has just been selected for Berlin Music Video Awards 2017! 🙂
Director: Yagaboo
Creative Direction: Seramic
The Swimmers – Olivia Federici and Katie Clark
Cinematographer: Luke Jacobs
Producer: Sam Seager
Producer: Rohan Scully
Production Assistant: Danielle Barnes
Underwater camera operator: Richard Stevenson
2nd Camera /Movi Tech: Tom McMahon
Focus Puller A cam: Marco Alonso Monedero
Focus puller B cam: Arran Green
Gaffer: Leo Olesker
DIT: Alan Andrade
Choreographer: Darcy Wallace
Editor: Jamie O’Donnell (Cut + Run)
Edit Producer: Ruth Minkley (Cut + Run)
Colourist: Matt Turner (Absolute Post)
Absolute Post Producer: Kirsty Murray
Sound Design: Munzie at GRCS
Camera gear supplied by: Camera Movement
Lighting supplied by: Pixie Pixel
Special thanks to HAMPTON POOL!!!!
Cut & Run, Absolute Post, Pixie Pixel, Camera Movement
Buy the music:
Seramic – I Got You
Stream ‚I Got You‘ on Spotify: smarturl.it/sIGY / Apple Music: smarturl.it /amIGY
Buy ‚I Got You‘ on iTunes: smarturl.it /iIGY/ Google Play: smarturl.it/gpIGY
Follow Seramic on:
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Directed by Carrie Brownstein
Director of photography: Shawn Kim