FRACTAL – 4k StormLapse by Chad Cowan


„Big whirls have little whirls that feed on their velocity, and little whirls have lesser whirls, and so on to viscosity.“ – Meteorologist Lewis Fry Richardson („Weather Prediction by Numerical Process.“ Cambrige University Press, 1922)

This quote sums up perfectly what I’ve come to realize about weather and storms over the past 10 years of studying, forecasting and chasing them, and the part that I find most fascinating. On each scale level from synoptic-scale, which covers areas the size of multiple states, all the way down to micro-scale, which could be an area as small as your backyard, the fluid which we call air abides by the same universal physical laws of nature and thus acts in a very similar manner and patterns.

A cold front, for example, is a phenomenon which is widely understood to mean a large scale line of advancing cold air, hundreds of miles long, along which supercell thunderstorms sometimes form. Within these smaller storm-scale environments, something called a rear-flank gust front forms on the southern end of the low pressure area of the mesocyclone, where the rain cooled air wraps around. This is effectively a storm’s cold front. The cool air is more dense than the warm air, and because of this, advances into the region of lower density, just like the larger cold front on which the storm formed.

The stunning supercell storm structure we see is along these relatively small, storm-scale cold fronts. This is what forms the „hook“ on radar. Here, just as with the larger scale weather systems, the wedge of denser cool air at the surface meets the warm, moist, buoyant air in front of a storm, forcing it aloft and through the cap where the potential energy is realized. Given the right conditions, this development can be explosive.

The ingredient based explanation for supercells includes moisture, wind shear, instability and lift. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather. The force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.

While Richardson’s quote is more regarding turbulence than thermodynamics, his theory from nearly 100 years ago that our atmosphere behaves as a fractal has turned out to be spot on. A „top down“ transfer of energy and behavior occurs, resulting in a Russian nesting doll of smaller scale systems that bear a striking resemblance to the larger.

I would like to offer a special thanks to my good friend Kevin X Barth who helped me edit this together, and found some semblance of a story arc in many disparate pieces. Kevin is an amazingly talented and creative artist in his own right, having won an Emmy as the editor of the ESPN 30 for 30 film WHEN THE GARDEN WAS EDEN. Check out his website if you’re looking for an excellent editor or director for your project: kevinxbarth.com

A big thanks to Tom Lowe as well, without whom I would probably still be trying to figure out what an intervelometer is. Tom is the mastermind behind Timescapes, the revolutionary timelapse film from a few years ago. He was kind enough to share his wealth of knowledge​, as well as some camera gear.

Toposcape by Adnaan Jiwa


An audiovisual piece made up of over four thousand still images pulled from Google Earth, individually edited, and then manually sequenced to Midnight by Caravan Palace.

The film showcases instances of environmental innovation and degradation from around the world: housing developments in Denmark designed to promote increased community, sites of deforestation in the Amazon due to cattle ranching, and the Namib desert in Namibia whose biodiversity has some of the highest levels of endemism.

Song:
Midnight – Caravan Palace

Applications:
– Google Earth Pro
– Adobe After Effects CC

Locations:
– 0:09 New York, USA
– 0:17 Namib Desert, Namibia
– 0:23 California, USA
– 0:28 Denmark
– 0:32 New York, USA
– 0:52 Saudi Arabia
– 1:00 The Netherlands
– 0:52 Saudi Arabia
– 1:10 New York, USA
– 1:18 Iran
– 1:23 New York, USA
– 1:29 The Netherlands
– 1:32 California, USA
– 1:35 Brazil

THE WEEKND – „Party Monster“ by BRTHR


Director/Edit/Color- BRTHR
Producer- Sara Greco
Line Producer- Jamee Ranta
Prod Co.- Strangelove
Creative Director: La Mar C. Taylor
DP: Erik H
AD- Kenneth Arnold Taylor
Prod Design- Lauren Nikrooz
VFX- Gloria FX
Additional VFX- Kwan Au, Mikhael Villegas, BRTHR
Title Design- Mikhael Villegas

full credits on end title card

Putsch by Putsch Le Film


Une société d’humains se comportant comme des animaux se trouve bouleversée par l’arrivée d’un nouveau protagoniste.

A society of humans acting like animals is upset by the arrival of a new member.

MOPA 2015

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Réalisation :

Julie Artigny
Lisa Bouët
Florent Bossoutrot
Claire Courrier
Camille Savary

– Prix –
Prix du Meilleur Film d’Animation du Festival International du film Fantastique d’Audincourt / Bloody Week-end

– Sélections –
Festival International du Court Métrage de Lille – Lille – Compétition officielle
Panam Anim – Paris – Compétition officielle
Melbourne International Animation Festival – Melbourne – Student Competition
Leiden International Short Film Experience – Leiden – Official program
Festival international d’art vidéo – Casablanca – Compétition officielle
Festival international du cinéma et de l’éducation – Fès – Compétition officielle
Golden kuker-Sofia / International Animation Film Festival – Sofia – Official program
Les Intergalactiques / Festival de science-fiction – Lyon – Projections courts métrages
Bloody Week-end / Festival International du film Fantastique d’Audincourt – Audincourt – Compétition internationale
Festival du Film Subversif – Metz – Compétition „Les juniors“
Festival de l’Acharnière – Lille – Compétition officielle
Projecion courte – Meaux – Compétition officielle
Animanima Festival – Cercak – World Panorama
BuSho -Budapest – Official competition
Cartón – Buenos Aires – Selección Oficial
Animasyros 9.0 / International Animation Festival + Agora – Syros – Student competition
Anima Mundi – Sao Paolo / Rio – Short film program
Animest / International animation film festival – Bucharest – Creepy Animation Night program
Festival international du cinéma francophone en Acadie – Grand Moncton – Compétition officielle
SPASM Festival – Montréal – Compétition officielle
Nuit blanche à Montréal – Montréal – Best-of
OderKurz-Filmspektakel – Oderaue – Official program

That Time Jimi Hendrix Opened for The Monkees by Great Big Story


In the storied summer of 1967, there was an ever-so-brief (and ever-so-strange) combination of two ever-so-different musical icons: The Monkees and Jimi Hendrix. Monkees drummer Micky Dolenz recounts the brief period of time that the legendary guitarist was the opening act for the pop boy-band sensation. While the pairing of the two acts seemed like a good—if novel—idea at the time, that quickly proved not to be the case. Some things just aren’t meant to be…

alt-J „In Cold Blood“ by casper balslev


alt-J “in Cold Blood”
Narrated by Iggy Pop

Director: Casper Balslev
Black Dog Films/ New Land
Executive Producer Black Dog Films: Martin Roker
Executive producer New Land: Thor Brammer Jacobsen
Producer: Mikkel Damkiær
Producer suppleant: Joacim Harder
Production manager: Nicoline Lau Edinger

Cinematography: Niels Thastum
Editor: Anders Albjerg
Production Designer. Anna Gry Skovdal
1st AD. Tue Czajkowski
Directors Assistent: Joacim Fougner
B- Unit Camera: Niels Buchholtzer
Gaffer: Martin Riello

Best Boy: Jonas Madsen
Focus Puller: Thue Garde, Mads Hoppe
2. AC: Kristoffer Hoyer
Key Grip: Christian Brøndum
Sound Design: Martin Dirkov
Set Build: Joshua Beckford
Make- up SFX: Per Kapper
Make up: Louise Bruun
Wardrobe: My Ringsted
SFX and weapons Hummer Højmark
Car Wrangler: Søren Hvam
Production Coordinator: Lea Sönnichsen
Production Assistent: Linea Cramer
Location Manager: Kristian Nørlyng

Casting by Ditte Kiel / ArtCast
Cast: Martine Lindskjold, Jonathan Albrecthsen, Kristian Hedegaard Petersen. Brian Rodrigues, Kenneth Bøtker, Frej Levin, Rainy James, Philip Hoeg, Henrik Queitsch, Kress Bøtel, Ronni Tronborg, Axel Emil Christensen

Mouse: Syd & friends
Mouse Whisper: Jessie Davidsson

Post production by Cameo
Grader: Lasse Marcussen
Flame: Bjørn Munch
Post production coordinator: Emma Engberg
Additional Sound mix: Sylvester Holm

Directors Rep Black Dog Films: Holly Wolfers

Commissioner: Andrew Law
Infectious Music 2017

BADDOG by Michael Patten


A socially inept Theo has his first shot at love.

Starring: Joshua Simenhoff, Russell ‘Rock’ Funches, Ashley Jordan, & Sydel Fishman
Writer/Director: Michael Patten
Producer: Matthew James Reilly
Camera: Sharif El Neklawy
Production Design: Esther Kim
Production Sound: Austin Plocher
Assistant Director: Jackson Segars
Edit: Sean Dunn
Gaffer: Chelsea Soby
Assistant Camera: Chloe Walker
Grip: Kevin Clark-Ryan
Art Director: Blake LaRue
Sound Mix: Dan Dzula
Color: Zak Ray
Music: Kevin Corcorran
Sax/Flute: Antonio Fernandez
Additional Editing: Josh Gross
Compositing: John Mattiuzzi
Dog Wrangler: Alexey Yurunev
Production Assistants: Ashley Ng, Gabby Giacomo, Pete Christman, Kim Daeboong
Special Thanks: Megan Graham, Jake Honig, Matthew Fishman, Gigantic Pictures, Maverick Comics, Brooklyn Kuriosities

Official Selection – Athens Film & Video Festival 2017

copyright MMXVII by video horse LLC all rights reserved

2017 AMP Awards by Buck


Join our protagonist Randy as he endeavours to find the hidden truths buried inside the arcane geo-futuristic world that is Music for Advertising. When the aural wizards over at Antfood approached us to collaborate on the opening titles for the 2017 AMP Awards, our only question was „how many butts?“ The answer may surprise you.

DIRECTED BY:
BUCK

EXECUTIVE CREATIVE DIRECTOR:
Orion Tait

EXECUTIVE PRODUCER:
Anne Skopas

CREATIVE DIRECTOR:
Daniel Oeffinger

HEAD OF PRODUCTION:
Kitty Dillard

PRODUCTION COORDINATOR:
Alexi Yeldezian

DESIGN:
Rasmus Bak
Daniel Oeffinger

ANIMATION:
Rasmus Bak
Daniel Oeffinger

RECORDING, AUDIO PRODUCTION, MUSIC & SOUND DESIGN:
Antfood

Gus Dapperton „I’m Just Snacking“ by Itsbongoboy


falling out of love, falling back in.

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Director: Matthew Dillon Cohen
Producer: Taylor Russo
Director Of Photography: Anthony Carella
Focus Puller: Brandon Yoon
Gaffer: Ben Davis
Key Grip: Patrick Golan
1st AD: Ashley Goodwin
2nd AC: Carmelo Varela
Choreographer: Eva Jaunzemis
Production Design: Hannah Suh
Grip: Alec Battistoni
Grip: Brett Arndt
Grip: Kyle Seeger
Stylist: Diana Price

Editor: Matt Schaff
Colorist: Josh Bohoskey
Sound Design: Raphael Ajuelos
Post Production Company: The Mill
Color Producer: Natalie Westerfield
Color Coordinator: Evan Bauer

Starring
Gus Dapperton
Charlotte Rose Benjamin
Taylor Wells
Gilllian Curtis

Special Thanks Abbey Chaus, Diktator, Cali Goldstien, Marcus Klein, The Rice Family, Anne Chang, Max Rothschild

LEADERS OF THE PACK by Erin Sanger

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WORLD PREMIERE – TRIBECA FILM FESTIVAL 2016

Photojournalist Katie Orlinsky, whose work focuses on the everyday lives of people in extreme situations, covers Kristin Knight Pace, a hopeful in the 2016 Iditarod Trail Sled Dog Race.

Directed by Erin Sanger
Produced by Gabrielle Nadig
Client: ActuallySheCan
Agency: Tribeca Digital Studios
Cinematographer: Trish Govoni
Editor: Ema Ryan Yamazaki
Score: Bryan Senti
Production Manager: Sarah Kolb
Production Sound: Alan Gordon
Post Production Facility: Oxbow Post