Karl Ranseier…

Special video „Valentine’s Day“.
From an artistic point of view, the flowers are represented in the 4 seasons.
The fire for the fall, ice for the winter, fast hatching (timelapses) for the spring and color inks for the summer.

Music : Velvet coffee ( Leonardo Villiger and Christophe Dugne Esquevin)
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Director : Thomas Blanchard
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Dean is a teenage boy who loves breakfast, Rihanna, and finding freedom in a wave.

A short documentary brought to you by Poland Spring.

For more about Surfing With Smiles, visit http://ift.tt/2ECFlyg

Director: Caitlyn Greene
Client: Poland Spring
Agency: Vox Creative
Head of Production: Greg T. Gordon
Creative Director: Cristina Cerullo
Campaign Producer: Alexandria Fontanez
Production Company: Voyager Creative
Executive Producer: Andrew Hutcheson
Head of Production: David Brickel
Producer: Matthew Thurm
Director of Photography: Mack Fisher
Editors: Chad Sarahina & Caitlyn Greene
Sound Mixer: Casey Preston
1st Assistant Camera: Kevin Bueschen
Production Assistants: Tim Strain & Daymian Mejia
Music Licensing: Musicbed
Audio Post: One Thousand Birds
Audio Post Producer: Kira MacKnight
Sound Designer: Calvin Pia
Colorist: John Carrington III

Special Thanks to Taylor Thomas & The Marion Family

Director: Ft. Langley
Cinematography: OPD Brooks
Producer: William Wilkinson
1AD: Tim Wilkinson
Makeup: Felicity Baker
Movi Operator: Dave Wallace
1AC: Neal Granger
PA: Jonah Grindler, Rowan Mackenzie
Wardrobe: Leta Cushing Woodcock
Set Photographer: Brian Van Wyk
VFX: William Wilkinson, Austin Brown
Colorist: Josh Bohoskey @ The Mill
Music: Holy Fuck
Special Thanks: David, Hans, Leslie, Nigel

For two hundred years every Mardi Gras has started the same way: Dressed as skeletons, armed with bones, The Northside Skull and Bone Gang wake the city before dawn with drums, chants and ceremonial knocking on doors to warn people against violence, gunplay and other negative influences on the streets.

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facebook.com/skullandbonedoc/

Featuring:
Bruce ‚Sunpie‘ Barnes http://ift.tt/2snoE4Y
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Northside Skull and Bone Gang http://ift.tt/2BWdlVn

D: Victoria Rivera http://ift.tt/1KqRS04
DP: Soren Nielsen http://ift.tt/2BX0diU
M: Julian Tobon http://juliantobon.com/
CoP: Jacob Krupnick http://ift.tt/NeBrGV

Ph: Josefina Santos http://ift.tt/1Otpr5D

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Shot on location in Tremé, New Orleans, on Mardi Gras day 2015.

How a tech pioneer, faced with a deadly illness, prepared for his last violin performance.

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‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that emerge from the complex loops.

image – iloobia
sound – iloobia / dissolving path
cinema iloobia 2016

awards:
Encounters 2017 BEST OF BRITISH ANIMATION AWARD
BUSHO Award 2017 BEST EXPERIMENTAL
BUSHO Student Jury Prize BEST EXPERIMENTAL

screenings:
Flatpack Festival – Birmingham, UK – April 2017
BUSHO Festival – Budapest, Hungary – Sept 2017
Encounters Film Festival – Bristol, UK – Sept 2017
BFI London Film Festival – UK – Oct 2017
Edinburgh Short Film Festival – UK – Nov 2017
Cinecity – Brighton, UK – Nov 2017
Euroshorts Festival – Poland – Nov 2017
Analogica 7 – Bolzano / Merano, Italy – Nov 2017
FIVA 07 – Buenos Aires, Argentina – Dec 2017
London Experimental Film Festival – UK – Dec 2017
Manipulate Visual Theatre Festival – Edinburgh – Jan 2018
London Short Film Festival – UK – Jan 2018
11th British Shorts Film Festival – Berlin – Jan 2018
Analogica Selection 7 Tour – San Francisco – Jan – 2018
Vancouver Island Short Film Fest – Canada – Feb 2018
Short Waves Festival – Poland – March 2018
Cardiff Animation Nights – Wales – March 2018

Approaching the process of making films in a literal sense, ‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm, standard and super 8 film to create defective and unprojectable celluloid collages. These are hand edited and constructed from a combination of self shot footage, orphaned material and frames from a 35mm trailer of Get Shorty retrieved from an abandoned projection room.

After hand editing the film collages, each strip is scanned at very hi-resolution, frame by frame, and reassembled digitally, so that even though in a conventional sense they are defective and unprojectable as films, this process allows the celluloid to reanimate and reveal its potential motion through digital stop motion.

As there are multiple gauges combined in each strip, a single loop can be calibrated for 35mm, 16mm/8mm or super 8mm – each configuration giving a distinctly different dynamic to the moving images.

Considering each strip as visual or colour music is of primary consideration during the films hand editing and construction. Shifts in motion, contrast, colour, rhythm and the juxtaposition of action within the filmstrips alongside one another are all taken into account, akin to creating a musical score.

With the physical length of the strips allowing an inherent duration and rhythm to exist within them, (an aspect emphasised when they are looping), and with each one being a different length to one another, the tempo and nuance of the visual music is constantly shifting.

The project is inspired in part by visiting innumerable projection booths over the past few years at film festivals and cinemas across Europe, North America and the UK. Again and again I would witness an absent space where the 35mm projector once stood, where only traces of these virtually extinct machines remained.

The boundaries between childhood and adulthood become blurry for a kid at his mother’s cocktail party. In this experimental-narrative short, characters, symbols and abstractions interchange to examine the relationships between children and adults, escapism and sexuality.

Selected festivals & Awards:

– Stuttgart Festival of Animated Film – Best Student Film Winner, April 2014
– Premiers Plans Film Festival, Angers, France – Grad Prix Winner – Best European Student film, Jan 2014
– Animateka – Best student film winner, December 2014
– Animafest Zagreb – Special Mention, June 2014
– Tricky Women 2014: Jury’s special mention, March 2014

– OTTAWA 2014 – Official Selection, September
– ANNECY 2014 – Official Selection, student film competition, 9-14, 2014
– ZAGREB 2014 – Official Selection student film competition, 3-8 June 2014
– BAA Student film finalist, March 2014
– HAFF 2014 – Official Selection, 19-23 March 2014
– Filmfest Dresden 2014, 15-20 April 2014
– Stuttgart Trickfilm Festival 2014 – Official Selection. – April 2014
– Clermont-Ferrand Short Film Festival – Jan 2014
– Anima Festival Brussels – Official Selection (Best of shorts 4 programme) – Feb-Mar 2014
– LIAF, London, Oct 2013 (British showcase)
– Expotoons, Oct 2013
– Canterbury Anifest – Oct 2013
– Bradford Animation Festival – Nov 2013

A short trailer for my RCA graduation film. It’s an abstract-narrative short about childhood and adulthood, escapism and sexuality.