Buildings dancing, Perspectives shifting.
Sound design by: Benjamin Mauch
http://ift.tt/2AO6Y31
� See more at www.nerual.design
Buildings dancing, Perspectives shifting.
Sound design by: Benjamin Mauch
http://ift.tt/2AO6Y31
� See more at www.nerual.design
A corporate recording session implodes when a seasoned voice over artist is pushed to breaking point.
Cast
Levente Molnar (Son of Saul)
Julian Stolzenberg
Neil Mccaul
Samantha Spurgin
Ian Pope
Ed Coleman
Website: http://ift.tt/2BXEDXD
WINNER Best British Comedy Discover.Film Awards 2017
WINNER Best Cinematography Largo Film Awards 2017
OFFICIAL SELECTION London Short Film Festival 2018
OFFICIAL SELECTION Hastings Fringe Festival 2017
OFFICIAL SELECTION The Smalls 2017
OFFICIAL SELECTION Exit 6 Film Festival 2017
OFFICIAL SELECTION Conway Film Festival 2017
HONOURABLE MENTION Best Actor Neil McCaul, Kino Short Film Festival 2017
This is not the complete history of skateboard shapes but a loose version.
Some of the key moments.
Originally aired on skateboarding.com for Transworld Skate.
http://ift.tt/2iUdsp6
Voice Over: Luke Callahan
Thank you:
Mackenzie Eisenhour
Chuck Hults
Paul Schmitt
Jason Celaya
Nora Vasconcellos
Micah Abrams
Jaime Owens
Footage Courtesy of:
Bruce Brown Americas Newest Sport – 1962
Skateboarder Magazine Archive
Matt Hensley – Not The New H-Street Video
Director: James Lees
Producer: Zach Wright
Executive Producer: Danielle Hinde & Jason Cole
Cinematographer: Larkin Seiple
Editor: Josh Hegard
Art Director: Carmen Navis
Choreographer: Melissa Schade
Costume: Christina Flannery
Colorist: Ricky Gausis
Casting: Michael Beaudry
Production Manager: Samuel Miller
CAST
Lead Soldier: Benjamin Booker
Boy: Artyon Celestine
Drill Sergeant: Rich Eagle
Bully: Gabba Tomada
Soldiers:
JM Rodriguez
Moises Michel
Brooke Shepherd
Mackenzey Franklin
Andrew Valle
Gregory Barnett
Malachi Middleton
Dushaun Thompson
Nupier Garrett
プロデュース・脚本・監督:岡部淳也
SF時代劇映画【架空映画トレーラー】
実際には存在しない日本時代劇映画をベースに、
非営利のファンムービーとして製作した 架空SF映画トレーラー です。
お楽しみ下さい。
Producer/Screenplay/Director : JUNYA OKABE
Sci-fi historical film [fictitious film trailer]
This is a fictitious sci-fi film trailer produced as a nonprofit fan movie, based on a Japanese historical film, or jidaigeki, which does not actually exist.
Please enjoy watching it.
http://www.zvp.jp/
A love note to my favorite films, art and games. Cut paper and ink zombies roam a desolate Brooklyn, NY. All artwork, animation and sound design by Case Jernigan.
http://ift.tt/1M19FNu ; http://ift.tt/2BqL2hR
Shot on RED Dragon 6k on the highlands above Rome, Italy.
Cinematography, Edit, and Grading by Ivan Maria Friedman.
Music: Ligeti Requiem, Introitus.
Parco Regionale Monti Simbruini, Italy.
A journey through East Asia.
Filmed and edited by Rafa Zubiria.
Music: Ambient Rain Music Part 5 by Ambient Rain.
Featured cities: Hanoi, Hong Kong, Guilin, Yangshuo, Bangkok and Chiang Mai.
SYNOPSIS
Life is liberty in a CAGE. CAGE represents a situation that is filled with a lot of constraints, or a habit or an addiction that is hard to get rid of. This project is to present a Chinese cultural and traditional visual style to audiences. On the other hand, CAGE tries to inspire them to recall their memory and consider what is the meaning of life to them individually.
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DIRECTOR STATEMENT
My story depicts a period of a concubine’s bound life. She has gained a lot since being consumed by her man in both dream and reality. In reminiscence, as she remembers her life from the end back to the beginning, she has vivid dreams that evoke her longing desire. She finds it hard to disengage from her current situation, because the path in her dream is breaking and falling apart. She could not go back, even in the dream. Finally, she is disconnected from her dream and brought back into reality. In a blink of an eye, she looks at the emperor and carefully starts to serve the emperor as shown in the opening scene.
According to my grandmother’s story of her early life experience, her families lived with struggle at the time of the Chinese Great Cultural Revolution. My grandfather’s families were Intellectuals and landowners, and they were criticized and denounced. However, they supported the leader and government. Most of the Intellectuals and landowners‘ property was confiscated or destroyed in the end. Intellectuals and landowners were banished or locked up by others. My grandfather joined the army for battle although he was an Intellectual. My grandmother lost everything except her five children including my father who was nearly five years old. Since then, they went into a different life with no money, no food, no education and no smile every day. Finally, my grandmother took her children, left Shandong and went to Nanjing. At my grandmother’s time, women could not go to school because people thought that women did not need to study because of old traditions. Cooking, sewing, having kids and taking care of them were their career for their whole life. Therefore, for women it was hard to find a job outside of the family, especially for my grandmother who had five kids. Life was like a stubborn cage where women were inside, and people’s minds were also bound in a cage, and women were outside of that cage. However, life needed to go on for some reasons such as for those young lives. My grandmother dropped off her dignity, and went out to pick waste such as scrap iron, goose feathers and grain, because she needed money to eat. Fortunately, life is like that. As long as we can insist on holding hope, we can carry on. My families did. They “put down” something while “picking up” something else. I created an animation, Ya-er (2009), as a life-recording gift to my grandparents and their families.
My intention for this project is to present a Chinese cultural and traditional style to my audience. On the other hand, I want to inspire them to recall their memory and consider what is the meaning of life to them individually. When they follow the girl’s experience in my film, I hope people will be able to ask themselves, “If I also live my life within a golden cage, how would that affect me? Have I felt satisfied in my life?“
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Dupp (Pengpeng Du)
Beach balls. Doctor boners. Farts. Snow. This film, starring The Cocoon Central Dance Team, just might have invented its own genre: comedy-dance-sketch-fantasy.
Directed by Rachel Wolther and Alex H. Fischer
Executive Produced by The Daniels
Presented by Topic