YETI and Orvis Present: Andy by Colorblind Media


Renowned photographer Andy Anderson has lived a life of passion, traveling the world to shoot everything under the sun, including fly fishing and wingshooting. He shares some of his thoughts and philosophies about the art form to which he has dedicated his life.

Presented by: YETI and Orvis
Featuring: Andy Anderson
Directed and filmed by: Cavin Brothers and David Mangum
Edited by: Reid Ogden and Rita Baucom
Music by: Ryan Baucom
Production: Colorblind Media
Special thanks: Dave Brown Outfitters, Zach Anderson, Michael Perez, Valer Austin, Kevin St. Clair, Owen St. Clair, and Warner Glenn

The School of Life – How to Stop Nagging and Start Teaching by Steve Kirby


Sometimes the commissions that are the most fun are ones where you’re given nothing but a script, with the freedom to construct a visual narrative around it. This short film for the School of Life charts the relationships of two couples engaged in the cycle of nagging.  A shirking husband and his long-suffering wife, and a daughter who has become unreceptive to her mother’s tyrannical lessons.

‚Nagging is one of the most understandable but counterproductive patterns of behaviour – that kicks in when we have failed to teach someone what we want and are feeling tired and bruised emotionally. But if we really want others to change, there is no alternative but to gather our strengths and try to convey information in a way that can be understood by someone else.‘

Designed, Directed, Animated & Produced by: Steve Kirby
Written & Narrated by: Alain de Botton
Sound Design by: Trevor Richardson / Sonosanctus
Additional Animation by: Andrew Embury
Client: The School of Life

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ISOLA by Neels Castillon


* For a better experience play this film in 4K and use headphones.
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‚ Every time I go back to Sardinia to visit my family, I see this abandoned building in front of the sea. I felt it was the perfect place for Léo Walk and his choreographic imagination to perform, surrounded by the ruins, the surreal light of the costa verde and the intense voice of Mercedes Sosa. It creates this subtle feeling between vitality and melancholy that I wanted to express in this film. Sit back and enjoy! ‚
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☞ http://ift.tt/2xEMEia
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Behind The Scenes ☞ http://ift.tt/2yeNOWl
Shot in Todd AO anamorphics + Red Helium 8K.
Sardinia, September, 2017.
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Dancer: Léo Walk
Director: Neels Castillon
Cinematographer: Eric Blanckaert
1st AC: Kevin Rosé
1st AD: Sébastien Rouquet
BTS Video: Thibaut Koralewski
Location Manager: Alessandro Usai
Production Company: http://motionpalace.tv
Executive Producer: Ariane Cornic
Producer: Marie-Gabrielle Glock
Production Coordinator: Sandrine Laveau
Post-production: Mikros Image
Colourist: Sébastien Mingam
VFX: Anthony Lassus
Operations manager: Nicolas Daniel
Sound Production: Benzene
Sound Design: Loic Cavenet
Sound mix: Hugo Escuriol
Camera & Lenses: RVZ
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SPECIAL THANKS to Angèle Van Laeken, Lucie Delaye, Thomas Pallas, Samuel Renollet, Frédéric Lombardo, Cédric Dauch, J.M Weston, Franca Usai, B&B La Magnolia, Jean-Lin Roig, Adrien Kamir, Maja Unrug, Alberto Porcedda.
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MUSIC
„Alfonsina Y El Mar“
Performed by Mercedes Sosa
(P) 1988 PolyGram Discos S.A
Courtesy of Universal Music Publishing Films & TV
Lyrics & Music by Ariel Ramirez and Falucho Luna
© Editorial Lagos
Courtesy of Warner Chappell Music France

Envisioning Chemistry: Chemical Garden II by Beauty of Science


When a piece of metal salt is dropped in the solution of sodium silicate, a membrane of insoluble metal silicate is formed. Due to the osmotic pressure, water enters the membrane and breaks it, generating more insoluble membranes. This cycle repeats and the salt grows into all kinds of interesting forms. This film recorded the osmotic growth of 6 salts inside sodium silicate solution. The growth is so life-like, no wonder Stéphane Leduc thought it might have something to do with the mechanism life over 100 years ago.

For more films, please visit: http://ift.tt/2xLpVSo

Credits
Video: Wenting Zhu
Producer: Yan Liang

I AM HERE – short film by Eoin Duffy


Alone in an aging cosmos, a traveller’s pilgrimage comes to an end.

→ http://twitter.com/eoinduffy
→ http://ift.tt/2zeyFkN

CREDITS –
WRITTEN AND DIRECTED BY: Eoin Duffy
VOICED: Nicholas Campbell
ANIMATION: Eoin Duffy Henrique Barone
SOUND DESIGN: John Black
ORIGINAL MUSIC: Menalon
ADDITIONAL VOICE: Fred Ewanuick (Gerry)
STILLS PHOTOGRAPHY: Rosamond Nobury
FOLEY: Karla Baumgardner
FOLEY RECORDING: Geoffrey Mitchell
RE-RECORDING MIXER: Jean Paul Vialard
ONLINE EDITOR: Denis Pilon
TECHNICAL DIRECTOR: Eloi Champagne
TECHNICAL COORDINATOR: Steve Hallé
TECHNICAL EDIT COORDINATOR: Wes Machnikowski
PRODUCTION COORDINATOR: Kathleen Jayme
STUDIO ADMINISTRATORS: Carla Jones + Rosalina Di Sario + Victoire-Émilie Bessette
MARKETING MANAGER: Geneviève Bérard
PRODUCTION SUPERVISOR: Jennifer Roworth
PRODUCERS: Shirley Vercruysse + Maral Mohammadian
EXECUTIVE PRODUCERS: Shirley Vercruysse + Michael Fukushima

The Postcard by Device


2037. What a great year. It was the year when I travelled to Southeast Asia and I experienced things I will never forget. Luckily, postcards will be always there to remind us that the past, sometimes, is not so different from the future. Or is it?

Direction: Device
Art Direction: Device
Illustration: Device & Toni Sala
Animation: David Feliu, Device, Javi Vaquero, Juan Nadalino, Pere Hernández & Sebastian Garcia
Clean up: Rafael Andrade & Toni Sala
Original Idea: Device & Carlos Serra
Script: Carlos Serra
Script English Translation: Shaina Machlus.

Music y Sound Design: Device
Voice Over: Amanda Goldsmith

Special thanks:
BlackBox, Idea Sonora & Shaina Machlus

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The Rabbit Hunt by Topic


In the Florida Everglades rabbit hunting is a rite of passage for young men, practiced since the early 1900s. The Rabbit Hunt follows a family as they hunt in the fields of an industrial sugar farm.

This film contains content that may be sensitive to some viewers.

Directed by Patrick Bresnan.

https://topic.com

Monsoon IV (4K) by Mike Olbinski


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Blu-Ray discs available here: http://ift.tt/1NmxOlE
Music by Peter Nanasi, find his work here: http://ift.tt/2h0Lpq0
Follow me: http://twitter.com/mikeolbinski / http://ift.tt/1gNIw6O / http://ift.tt/14015Z3
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Early on this summer when I found myself down by Santa Rosa, AZ watching a gorgeous hail core fall on the stunning desert landscape, and then later that day staring at a haboob with a stacked shelf cloud above it near the border of Mexico, I had a feeling it would be a unique monsoon. It’s funny how every year is different. That’s the beauty of chasing the summer storm season out here in the desert southwest. You never know what’s going to happen or what you might see.

This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment.

One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way…it all worked out and I’m stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year.

All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico.

I loved what I saw this year. It felt so unique. I found myself submerged in cacti and desert flora a few times with stunning light and structure. Explored places in New Mexico I hadn’t seen before. Smiled at the gasps of amazement from the crowds at the Canyon when a lightning bolt would strike. Finally discovered that the Santa Rosa area is a hotbed for supercell activity. And while it didn’t make it on time-lapse, I captured a brief tornado over downtown Phoenix!

So…the film. So much effort and energy went into it. I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks and even right up until Monday evening I was still fixing and tweaking. The music is all custom, thanks to the amazing work of Peter Nanasi. PLEASE check out his website and buy his albums! I love how we work together to develop a track that seems to fit exactly with the clips I capture. I am so incredibly blessed that his work crossed my path.

A quick thank-you to the workshop guests I had this summer. You guys were amazing troopers, staying out to all hours and being around for some awesome storms. In fact, I am not sure that I would have even been on the shelf cloud in the final scene of this film if it hadn’t been for my workshop. Thank you, thank you!

As always though, what made it fun was sharing a lot of it with my kiddos. They made the trip up to the Grand Canyon with me once and it was such a blast of an experience. Asher joined me in New Mexico one day, just he and I, and I got to see his face light up when he captured his first ever lightning strike on video on his little iPad.

To my wife Jina…we’ve come a long, long way since we started this storm chasing journey years ago. It’s not been easy all the time, especially with me being on the road so much between April and October these days. But we’ve slowly figured things out and I’m unbelievably grateful to you for your support and belief in what we’re doing together.

To everyone else…thank you for your continued support of my work. I am constantly blown-away at the kindness that you show to me.

And now…I hope you enjoy this film.

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

Treated Like We Did Something Wrong | ACLU commission by Daniela Sherer


A short I directed+animated for ACLU. Proud to contribute to this noble cause.

David Mullins and Charlie Craig visited Masterpiece Cakeshop in July 2012, with Charlie’s mother, to order a cake for their upcoming wedding reception. This is their story.

Client: ACLU

Animation director: Daniela Sherer
Producer: Elyse Kelly

Original music: Skillbard

Location audio mixer: Molly Kaplan

Additional animation: Eli Ben-David

Post production sound services: Studio Unknown
Re-recording mixer: Matt Davies
Sound design & dialogue edit: Cazz Cerkez
Audio post coordinator: Jaime Horrigan
Audio post office manager: Mandisa Henry