♻ Recycled Soda Can♻ Tell what do you think a yay or nay be honest! #recycled #sodacan #soycandles #soyblend #bestcandlesever #yourgoingtoloveit #lovemylife #myshit #foryourhome #fortheloveofyourlife #wick_it_dreams_candles #wickitdreamcandles #WIDC
Autor: Karl Ranseier
#sodacan by themoorefamilyfolkart
Chocolate Fudge Soda? … Yes please, but do you have that in diet? … #vintage #sodacan #upcycled
#sodacan by themoorefamilyfolkart
How we stay in shape at the #Moore house … #sodacan #irnbru #fruitpunch
#sodacan by icarisal
Defy gravity.
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#fijiapple #sodacan #red
#sodacan by whmsgreenclub
Second day working on the soda can solar panel. #solarpanel #sodacan #greenclub
#sodacan by graverobber666
Today i got a nostalgic trip back to the 90s! Does anny one of My friends remember this one?? #batman #batmandricka #nostalgic #batmansoda #dccomics #batmobile #superheroes #vintage #vintagestyle #retro #soda #orange #90s #80s #nananana #orangedrink #toycrew #showyourtoyssweden #ksbsaf #swedishtoycrew #toyphotography #sodacan
The Perfect 18 by The All-Nighter Room
An animated short about IT manager Rick Baird’s perfect day at a Putt-Putt golf tournament. Nominated for an Emmy Award (New Approaches, Short format, 2015) and a Webby (Editing, 2015).
Produced by Grantland and The Victory Journal
Directed by:
Mickey Duzyj
Jeremy Johnstone
Produced by:
Christopher Isenberg
Executive Producers:
David Jacoby
Bill Simmons
Edited by
Casimir Nozkowski
Director of Photography:
Jeremy Johnstone
All art & titles by:
Mickey Duzyj
Animation by:
Jeremy Johnstone
Original Score by:
Cory Gray
Sound Tech:
Jesse Clark
Audio Mix by:
Seth Talley
Assistant Editors:
Dan Lucal
Courtney Taniguchi
Additional Editing:
Jeremy Johnstone
Illustration Assistant:
Kyle Stecker
Color Correction & Compositing:
Jeremy Johnstone
Production Coordinator:
Michael Masse
#sodacan by j.mendoza89
Vanilla Coke, pretty cool seeing these styles coming out again. #retro #retrostyle #vintagestyle #vintage #canofpop #canofsoda #sodacan #soda #popcan #pop
Joel & Ethan Coen – Shot | Reverse Shot by Tony Zhou
How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
For educational purposes only. You can donate to support the channel at
Patreon: http://ift.tt/1sO9507
This video was co-written with Taylor Ramos. Follow her on:
Instagram: http://ift.tt/1KLK2DX
Twitter: https://twitter.com/glassesattached
And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: http://ift.tt/1vI7Dfg
Music:
Carter Burwell – Way Out There (Raising Arizona)
Carter Burwell – A Serious Man
Oscar Isaac – Green Green Rocky Road (Inside Llewyn Davis)
Carter Burwell – Little Blackie (True Grit)
Carter Burwell – End Titles (Miller’s Crossing)
Creedence Clearwater Revival – Run Through the Jungle
Interview Clips:
Cinematographer Style: http://ift.tt/1Rqmvs6
Recommended Reading & Viewing:
ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa
#sodacan by nadiaau
Butterfly🌸 #sodacan #diy #butterfly #cocacola #decor