Autor: Karl Ranseier

Directed by Ma-Ké
Produced by TEMPLE CACHÉ
www.templecache.com

When we met David Mangum back in 2008, we knew one day we would work on a film project with him. The intensity and curiosity he brings to pursuing Tarpon is unparalleled. This is a small look into his world. Huge thanks to Yeti Coolers for supporting the effort.

A Big Fish Film by Felt Soul Media
Directed by Travis Rummel + Ben Knight
Featuring David Mangum, Brett Martina and Tom Bie

Edit: Ben Knight
Principle Cinematography: Travis Rummel, Ben Knight and George Knowles
Additional Cinematography: David Mangum and Simon Perkins

Music By:
Lawrence English — Watching it Unfold
Nils Frahm & Anne Müller — Let My Key Be in C (Thriller Edit)
Maxence Cyprin — Where is My Mind (Pixies Cover)

Music Clearance — Bodie Johnson @ Back Forty Management
Still Photographs Courtesy of David Mangum
Special Thanks: Preston Sutter, Mangum Family, Fried Flounder and Fried Shrimp

Stop-Motion Animated music video for Explosions in the Sky. Everything was shot in camera using paper, projections and translucent materials like plastic and glass. The band’s brief was to create something inspired by „wilderness of the mind.“ I thought of the beautiful chaos that is in the mind space and how that space has a multitude of transitions, whether it’s a transition from life to death or going from unknowing to knowing.
Watch Making of here: http://ift.tt/2nPgb4D

Directed by Hayley Morris: http://ift.tt/1QN4hQf
Glass Blowers-Cindy Del Rio & Arden Wren Sawyer
Fabrication-Hayley Morris & Randy Bretzin
Record Label: Constant Artists

Off the new album The Wilderness
Order The Wilderness
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Tour Dates
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The Midnight Service is a scripted true-crime series about the unknown across America.

This is the pilot episode, which premiered at the 2017 Tribeca Film Festival.

If you have any information about the disappearance of Quincy Lamon call 518.303.2380

Keep searchin‘

I was introduced to Jordan, the effervescent subject of this Op-Doc, by a mutual friend; we met for lunch at his favorite deli in Los Angeles, where we live. That day, we waded through a getting-to-know-you conversation that somehow felt both more awkward and less awkward than most of its kind. Jordan has Asperger’s syndrome, and so he often gets pulled into his own world, one that can seem chaotic and isolated from ours. But he has learned to make deliberate choices to stay present in reality.

I found myself pleasantly surprised by the quick-witted middle-aged man having lunch across from me. He has an encyclopedic knowledge of music and movies, and a strikingly clever sense of humor. So I was intrigued. The lunch became the first of many meetings we shared over the course of many months, before we started filming this Op-Doc more than a year later.

Autism and Asperger’s syndrome, which is often considered a high-functioning form of autism, can manifest through a wide spectrum of symptoms; the severity and range of consequences vary depending on the individual. Sometimes these symptoms are barely noticeable, but on the other hand, around 40 percent of autistic children do not speak. (Symptoms often lessen by adulthood.)

In Jordan’s case, he lives independently, holds a job, and manages his own personal finances. He has a relationship with a woman named Toni who has multiple disabilities herself. But more importantly, he is self-aware, self-accepting, caring, with a strong ability to analyze and speak about his condition with others. He understands how he is different, and he has created a coping mechanism for himself that enables him to function in society and pursue his interests in the arts as an escape when it all becomes too much for him. It is these qualities that I wanted to emphasize in this film. I wanted Jordan himself to tell us his story instead of it being formulated out of impressions from the perspective of an outsider. A strong self-advocate, Jordan argues that he is not a disabled person, but merely a person with a disability. Someone from whom those he calls “normal people” could learn. Besides, he will argue, “everybody is not completely normal” anyway.

So much more research and support is needed to enable people with autism. There are no limits to what beautiful minds like Jordan’s can help us make of this world.

Official Selection SXSW Film Festival 2017.
Official Selection Camerimage Film Festival 2016.
Official Selection Santa Barbara International Film Festival 2017.
Official Selection Cinequest International Film & VR Festival 2017. (Winner Best Short Documentary)
Official Selection Oxford International Film Festival 2017.
Official Selection Raw Film Festival 2017.
Official Selection Athens Film + Video Festival 2017.
Official Selection Newport Beach Film Festival 2017.

The Dark Truth Behind White

Working with CNN I directed and animated an episode of Colorscope, a series exploring the secret truths behind colour.

Client – CNN
Production – Sarah-Grace Mankarious
Direction / Animation – Jocie Juritz
Writing / Narration – Dr James Fox

http://ift.tt/2oczU1O

About the Work
From the lights of skyscrapers and homes, to the neon street lights and headlamps of cars and trains in motion… fragments of the city float like stardust out of the darkness against the curtain of the night sky. This new vision of Tokyo is explored with omnidirectional motion graphics.

This work was born from ‘Beyond Motion Graphics’ ( http://ift.tt/2defXgz ) an internal company project at WOW aimed at exploring new possibilities for motion graphics. In using VR technology, consideration was given as to what kind of images to showcase and express as pieces of art.

作品について
夜のとばりに包まれた高層ビルの光、街頭のネオン、電車や道行く車のヘッドライトから家々が湛える暮らしの灯りまで、暗闇から現れる星屑のような街の断片を浮遊しながら、東京という都市の新たなビジョンへと至る、全天球型のモーショングラフィックス。

本作は、モーショングラフィックスの新たな可能性を問うWOWの社内プロジェクト「Beyond Motion Graphics」( http://ift.tt/2defXgz )から誕生。VRの技術的側面に加え、それによって切り拓かれるべき映像＝アートとしての表現性に注目した。

Staff
Art Director / Designer：Nakazi Takuma, Moriwaki Daisuke, Kudo Kaoru
Designer：Miyajima Tsutomu, Kojima Kazunori, Makino Shigeru, Sasaki Takuma, Kitabatake Ryo, Takagishi Hiroshi, Tanaka Kenji, Horai Misaki

Everyone loves BBC’s Planet Earth, but how much of it is real?

Host and Creator – Simon Cade
Assistant Editor – Jamie McKernan

Graded with FilmConvert – 10% off: http://ift.tt/1KD3MDL
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