10 Commandments by Clim


10 Commandments is a self-produced project born out of an initiative between Clim and Marta Pale to challenge each other’s creative thinking separate from the daily grind of their commercial work. 

The film illustrates the irony of how the „cursed“ attitudes of modern society have transcended the archaic rhetoric of the Catholic church.

I just like to make stuff during my spare time. There’s something interesting in making Low-fi projects. It’s a way to don’t feel the pressure of the commercial work and to be focused on learning things from the process instead of being too concerned about the final result.

Thanks to Ferran Capo (art), Marta Folch (Photography), Aimar Molero (music) and Blai Barba (sound design).

That Long & Lonesome Road to Grandma’s by Felipe Di Poi Tamargo


Sue and Kath are on a road trip with Sue’s mom to visit her grandma. On their way, they’ll encounter a hitchhiker, two first-time cops, some salty bikers, and they’ll try to grow from the experience into cool & liberated teens.

Strawberries Will Save The World🍓 – Short Documentary by Yoko Okumura


Yuko’s love for strawberries knows no bounds and she believes they will save the world🍓.
Featuring – Yuko Okumura & Shohaku Okumura
Director – Yoko Okumura/ www.yokofilm.com
Producer – Christopher Ruiz
Cinematographer – Bennett Cerf/ www.bennettcerf.com
Animator – Isabelle Aspin/ http://ift.tt/2qnhv0c
Sound Design – Sean Hines
Colorist – Loren White + Lookwell/ http://lookwell.tv
Original Music – Polartropica/Ihui Wu & Alexander Noice/ www.polartropica.com
Opening theme mixing and mastering – C.M. Rodriguez
Title Design – Anna Watanabe

Made possible by the generous donation of all our strawberry friends!🍓❤️

LOVESTREAMS by Sean Buckelew


An ode to a lost age of Internet love 😊

MAKING OF
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written, directed, and animated by SEAN BUCKELEW
music and sound design by SKILLBARD (www.skillbard.com)
singer SOPHIE KOKO GATE
animation assistance ISABELLE ASPIN, CAMERON MCMANUS, RACHEL HO, BRIAN SMEE, HAE-JOON LEE
background assistance JOSH SHAFFNER
effects animation BRIAN SMEE, CALEB WOOD
compression effects by JACK TURPIN
live action director of photography BRIAN SMEE
costume design ISABELLE ASPIN, SEAN BUCKELEW

thanks to JOE BENNETT, GRACE RHEE, CALVIN FREDERICK, CHARLES HUETTNER, DAVID LEWANDOWSKI, JESS IGLEHART, JEANETTE BONDS, THERESA LATZKO, JACOB SLUKA, QUIQUE RIVERA, TOJOARC & RACHEL HO

SCREENINGS
Flatpack Film Festival (April 4th-7th, 2017)
Cardiff Animation Nights (May 5th-7th, 2017)
Pictoplasma (May 10th-14th, 2017)
Rooftop Films (June 3rd, 2017)
Animafest Zagreb (June 5th-10th, 2017)
Palm Springs International ShortFest (June 20th-26th)
Anima Mundi (July 18th-23rd)
Animation Block Party (July 27th-30th, 2017)

Organa (Official video by Sabine Volkert) by Max Cooper


From the album ‚Emergence‘ out now
Buy ‚Emergence‘ http://ift.tt/2eb3XTR
For more information about the Emergence project visit http://ift.tt/2gEHavh
Follow on Spotify: http://ift.tt/2qvUmZx

„For this chapter of the Emergence story I wanted to escape the computational and data-driven approaches often used in other parts of the project, and try something more humanised. I found an amazing artist called Sabine Volkert, who hand-draws every frame of her videos, which creates a very particular sort of feeling, and one that seemed to me to fit with the feeling of the music and of the concept involved – the tinkering of animal development via random mutation to create a rich variation of forms on which natural selection can act – the mechanism of Darwinian Evolution.

Sabine told this story with warping morphologies, exploring the range of animal structures we see around us. All of these different structures have many shared underlying principles, such as segmentation (units built around analogues of a spinal cord), modularity (organs as individual units), and bilateral symmetry (mirrored body structure to give directionality for senses). There are many more of these common principles shared amongst animal forms, which are coded for and created by shared molecular mechanisms like the genetic code and gene regulation, which guide the process of development to create each different animal.

Because of this mechanism of conserved systems and principles, random mutations in small regions of DNA can produce large scale, coordinated changes in bodily structure. It’s evolution of evolvability – nature has set up system which is likely to produce a wide range of potentially viable, but different animals, as the best bet for survival in an unpredictable world.“ Max Cooper

„For Max‘ beautiful track Organa I grounded the video’s visual concept and stylistic choices in its thematic background, while leaving a lot of room for experimentation throughout the entire process.

Following only a set of rules for the standalone animation chains and a rough overall structure, everything was pieced together gradually, evolving into the final compositions guided by the musical cues as everything unfolds over time.“ Sabine Volkert
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Follow Max Cooper
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https://twitter.com/maxcoopermax
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EVERY TIME I DIE – MAP CHANGE by Kyle Thrash


Ten days spent in western New York during the cold months of January/February with it’s people and the local band Every Time I Die.

Director/Editor: Kyle Thrash
Producer: W. Ian Ross
DP: Justin Derry
2nd Unit Grip: Alexa Carroll
2nd Unit Grip: Marc Baill
Additional Editing: Nate Gray

SPECIAL THANKS
Sunday Skate Shop, Juan & Paula, Buffalo Fire Depot, Buffalo Film Office, Nashville’s Upstate K9, Hardtales Magazine, Tyler Vogel, Wollcott Guns, Lindsay Lessard, Kelly Seiracki, Patricia Seiracki, Charles, Tanesha. Nino. Iliane Jant, Rob J, Joe (skater), Tommie. Mike Albert, BJ Lyons, Dan DiPirro, Frank Dispenza, Chris Pogue, Nancy Wu, Anthony Haward, Jim Watkins, and everyone else from Buffalo and Western NY who shared their stories or support. Forever grateful.

Copyright Epitaph Records

Storytelling With Sound by The Royal Ocean Film Society


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Cinematic sound isn’t limited to explosions, musical cues, or the Wilhelm scream. Let’s take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.

Press the CC button for film titles.

Interview w/Ben Burtt- see the Criterion edition of ‚Modern Times‘

Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum – http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell – http://bit.ly/1MT5g0b

You can follow me through:
Twitter- http://twitter.com/andymsaladino
YouTube- http://youtube.com/c/theroyaloceanfilmsociety

Music by Chillhop: http://youtube.com/chillhopdotcom
Nothing But Luv by aso: http://ift.tt/11p0B3q
Listen on Spotify: http://bit.ly/ChillhopSpotify