A couple quick trips to Montana with the Snooze homies and „FSBS2“ was born. A very enjoyable January.
Featuring Forest Bailey, Parker Szumowski, Mike Ravelson, Colton Morgan, Tucker Andrews and Patrick McCarthy.
Film/Edit: Seamus Foster
Additional Filming: Colton Morgan and Matt Bernard
Music: Melvins – Sacrifice
Alex G – 9
Pavement – Our Singer
Kindly supported by Adidas Snowboarding, 686 Outerwear, GNU snowboards and Dragon Optics.
https://ift.tt/2pMhAeB
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A wry collection of life’s everyday contradictions.
„Irony“ is this week’s Staff Pick Premiere! Read more about it here: https://ift.tt/2pObcmd
Film de fin d’études réalisé par Julien Grande à l’ENSAV La Cambre (2016)
Student film directed by Julien Grande at ENSAV La Cambre (2016)
Music: Ulysse Vega
Sound design: Etienne Leplumey
Prix
1 Festival Anima, Bruxelles, Prix des auteurs de la SACD, 2017
2 Tokyo anime award festival, Toshima city award, 2017
Sélections
1 FIFF, Namur
2 Festival les enfants terribles
3 Premiers plans Angers
4 Panam Anim
5 Brussel short film festival
6 Be film festival
7 Cinécourt animé Roanne
8 ITFS, Stuttgart
9 CMS International Children’s Film Festival
10 Plein la bobine
11 PNR Madrid Film Festival
12 Poitiers Film Festival
13 Détours en cinécourt
14 Animix Tel aviv
15 FICBUEU Festival internacional de curtametraxes de Bueu
16 Cinanima
17 Carrousel du film de Rimouski
18 Leeds international. film fest.
19 Indie junior
20 festival du film pour enfant de Barcelone
Taken from the album Dialogues, released in 2016, the 21st of October
Shot on Kodak 500T,16mm in Moscow and Barcelona
www.wearemotorama.com
Directed by Kinopravda
Produced by Excuse My French, Stereotactic & Kinomoto
Director of photography: Alberto Bañares
D.O.P. 2nd Unit: Mark Ziselson
Producer: Anna Szijártó, Dañila Kostil
Executive producers: Constance Guillou, Robin Giraud, Pavel Karykhalin
Edited by Joan Solsona
Stylist: Heni Kiss
Colorist: Ádám Vándor, Anna Stalter
Laboratory: Kodak Lab London
Post Production: Saint Louis Paris
Titles design: Eszter Laki
Most red, blue, or purple flowers contain pigments called anthocyanins, whose colors are sensitive to pH (the acidity or basicity of an aqueous solution). As a result, when we immerse a blue flower into an acid or basic solution, its color is likely to change to red in acid condition, or to green or yellow in basic condition. In this film, to get the most dramatic effects, we immersed all flowers in saturated sodium hydroxide (NaOH) solutions and used macro lenses and a microscope to capture their glorious color transformations.
For more images, please visit: behance.net/ZWT
For more films, please visit: https://ift.tt/2xLpVSo
Credits
Video: Wenting Zhu
Producer: Yan Liang
We’ve crossed paths many a times.
We’ve even been introduced through mutual acquaintances once or twice, in fact we finished off last year’s Quik Pro sinking beers and dancing to her music, but we never truly met Lee-Ann Curren until winter hit our shores.
For the record, winter this year was long. In fact we might still be in it.
The Basque Coast can suddenly become a very small place, a handful of locals left to endure the storm whilst fraudulent neighbours head for the slopes.
Those of us that remain naturally form a bond. A mutual understanding and respect for our perseverance and stupidity to see the winter solstice through.
It’s during these months we became friends with Lee-Ann. She’s not hard to miss. When you’re the daughter of arguably the best pro surfer of all time,
it’s no easy feat to go unseen. It’s even harder to carve your own path yet Lee-Ann’s done just that. Despite sharing her offspring’s roots in both surfing and music alike, she’s managed to forge her own fortune, content in achieving her own goals, regardless of the status quo.
We decided to document our time with the 28 year old (along with her adopted border collie Bowie) and discussed music, growing up in the Basque Country and the pressures of living up to her heritage.
Supported by The Vans UltraRange collection, enabling creative pursuits from all corners of the globe, as worn by Lee-Ann. Discover more here: https://ift.tt/2hNAKMq
Experience the beauty of Mt. Everest at night in time-lapse. While most climbers slept, I attempted to capture some of the magic that the Himalayan skies have to offer while climbing to the top of the world.
These time lapse Images were captured as high as 6200m (camp 2) above sea level on Mt. Everest. We slept at 6000m for three consecutive nights on the summit of Mt. Lobuche East waiting for a glimpse of Everest from that vantage point. Around 11pm on the 2nd night, the skies opened up and the top of the world revealed herself in all of her glory.
No where else on the planet have I ever seen the Milky Way so clear, so vivid and so very much alive. It takes a great deal of discipline to stay up all night capturing the magic for the world to experience. Cameras freeze.Shutters freeze. Batteries freeze. Humans freeze. The high altitude environment is debilitating at best. Your body is taking a constant beating by the low levels of oxygen in the atmosphere. The higher you climb of course, the worse this becomes.
And yet… this is heaven on Earth for me. This is my comfort zone. This is where I feel alive. This is where the combination of my love for imagery, astrophotography, storytelling and connection with the mountains all intersect. I toss logic out the window on clear nights and run all of my cameras until all batteries are exhausted, CF cards are filled and the sun re-emerges for yet another beautiful day. It’s my oxygen. It fuels me. Energizes me. And keeps me in a flow state.
On a more human and less technical note: I’ve kept these images hidden for almost 4 years. They were created in 2014 and 2015 – the two deadliest seasons in Everest history. Many lost their lives and I was at ground zero both years. I’m not sure I’ll ever un-see what I saw those two seasons during and after the avalanches. Somehow I felt keeping these images hidden showed respect for the fallen. The images at camp 2 were created right after the 2014 avalanche that claimed the lives of 16 Sherpas. We were trapped above the area where 16 died at Camp 1 and 2 and had to remain in place for three days, unable to assist in the evacuations. Shooting the night skies helped with the helplessness we all felt. In 2015, everything you see in this video was captured days before we got hit by the avalanche at basecamp during the Earthquake. No one can ever be prepared fo such devastation. It’s taken a long time to work through the loss and perhaps somehow, releasing these images is my way of fully letting go and remembering the beauty, the wonder and freedom that comes along with climbing the world’s tallest peak. Chomolongma – Mother Goddess of the Earth.
My tribute to Everest – In Time Lapse.
Enjoy!
Shot on Canada DSLR’s
1DC
2x 5D Mark 3’s
Canon 5Dsr
24mm
16mm
11-24mm
*Special thanks to Canon Canada for lending me some of the gear.
Edited in Lightroom
Processed with LR Time-lapse
Edited in Premiere
Music:
The Time To Run
Dexter Britain
Licenses through: Music Bed
Special thank you to my friend and camera assistant Pasang Kaji Sherpa. This is a reflection of your hard work and support as well. Thank you my friend. Thank you for your patience and never-ending support on the hill.
To license this video or individual images contact elia@eliasaikaly.com or visit: www.eliasaikaly.com
Ever since he was a kid, David Aguilar was obsessed with Lego. He spent his childhood building cars, planes, helicopters, and eventually, his own prosthetic. Born with a deformed arm, the self-named “Hand Solo” decided to take his Lego-building skills to the next level. At age 18, he perfected his designs with the MK7, a prosthetic arm with the ability to bend and pick up objects with a pincer-like grip. Now, he’s the coolest kid on the block.